ABOUT

I’m a self-taught filmmaker with a deep curiosity for every aspect of the image-making process — cinematography, editing, colour management and grading. Years working as a Videographer and Indie Filmmaker taught me to handle every discipline myself: camera, sound, available light, post-production. In parallel, working on feature film sets — most significantly as a Digital Imaging Technician — exposed me to how the image is crafted at the highest level. Both worlds merged into a skillset that covers the full image pipeline — from analogue to digital.

I work primarily in documentary, with a focus on art, music, performance and dance — people in the act of creating, bodies in motion, spaces being transformed. Working light, I blend into my surroundings and let trust build slowly — until my subjects forget I’m there. I like to work with less. Minimal crew, minimal gear — not as a limitation, but as a creative engine. Analogue film was a natural extension of that: irreversible choices, no playback, no safety net. Just the moment, and what I made of it.

I’ve been DJing for twenty years — and I’ve always seen it as storytelling. A DJ set is a narration without words: built on rhythm, movement, and arc. Music and film are inextricably linked for me — music is often the starting point, the backbone, sometimes the protagonist. It’s what drives my search for the non-verbal — a universal language that needs no translation.